Following a contentious debate Monday evening, Notre Dame’s student senate rejected a resolution to increase funding for student clubs and organizations. The resolution proposed to reallocate three percent of the Student Union organizations’ budgets toward other student clubs and organizations, cutting the Student Union budget by approximately $30,000. Opponents to the resolution argued that the budget cuts would hamstring Student Union organizations.“If we force these class councils to become profit-seeking, it corrupts their mission. Our goal is just to unite the class,” Sam Cannova, president of the Sophomore Class Council, said. Student body president Gates McGavick and vice president Corey Gayheart campaigned on a promise to increase funding for student organizations. Since taking office, the two have faced major financial obstacles to fulfilling that promise.“This isn’t going to solve all our problems, because clearly there’s a way larger financial need than we have resources to meet,” Gayheart said of the resolution. Ultimately, a majority of senators concluded that the problems the resolution posed for the Student Union organizations outweighed the benefits it promised other clubs. But many student government leaders saw the vote as a lost opportunity. Alyssa Ngo, chair of the Diversity Council, said that diversity clubs desperately need more funding. The Asian American Association, which last year requested $3,500 in funds from the Club Coordination Council (CCC), was only granted $150, Ngo said.“Especially with the emphasis, this year and in general, on Notre Dame supporting diversity and inclusion, these aren’t really clubs that we can [cut funding from],” Ngo said. But other senators worried that the reallocated funds might not be redirected toward diversity clubs or minority student organizations. “Student clubs have a more than $340,000 budget. Where is it going?” Welsh Family senator Lindsay McCray asked. “Why are we hammering on this topic and saying that it will help the diversity clubs when we have no evidence that it will?”McCray criticized the closed-meeting policy of the CCC, which decides how to allocate annual funding for student clubs and organizations. “Because of their bylaws, the CCC will not release any financial information,” McCray said in a comment following the meeting. “I understand that people want more funding for clubs — I do too — but before we make budget cuts to other organizations, we need financial transparency from the CCC so we know how the money we give them is being spent.”According to Samantha Scaglione, the president of the CCC, all undergraduate clubs and organizations collectively projected $2.2 million in expenses last year. The Financial Management Board only granted the CCC $339,000 to distribute between more than 400 clubs. With a limited budget and massive student need, the CCC cannot meet every club’s requests.“Everyone here is doing great work, and unfortunately, we’re left fighting over the scraps right now,” Gayheart said. Although Monday’s debate hinged on a small reallocation of funds, it illuminated the staggering funding scarcity that Notre Dame student organizations currently face.In an interview after the meeting, Gayheart said that he and McGavick are working to develop alternative solutions to this problem. McGavick and Gayheart plan to work with the CCC to ensure funding is being used efficiently, and they hope to develop targeted funding campaigns for student organizations.“We’re not doing this because it was a campaign promise … We’re doing this because there’s very clearly a need that’s not being met,” Gayheart said. Tags: Class Council, Club Coordination Council, funding, Notre Dame Student Senate
Share:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to email this to a friend (Opens in new window) WNY News Now Stock Image.JAMESTOWN – Two Jamestown residents are facing charges after police allegedly found them inside of a vehicle with stolen license plates this week.Jamestown Police Officers were investigating a suspicious situation at the James Prendergast Library on Tuesday morning.Officers say Nathaniel Grekulak, 24, and Carrie Poff, 27, were allegedly in possession of a motor vehicle with two separate stolen license plates affixed to it.Additionally, police say the two were found with phencyclidine, PCP, pills and other suspected stolen property. Both Grekulak and Poff are charged with two counts of fifth-degree criminal possession of stolen property while Poff is additionally charged with seventh-degree criminal possession of a controlled substance.Officers say the two were taken to Jamestown City Jail pending arraignment and that further charges may be pending as their investigation continues.
United States Congress Photo.WASHINGTON (AP) — House Speaker Nancy Pelosi said Sunday the House will proceed with legislation to impeach President Donald Trump, calling him a threat to democracy after the deadly assault on the Capitol. Pelosi made the announcement in a letter to colleagues. She said the House will act with solemnity but also urgency with just days remaining before Trump is to leave office on Jan. 20.“In protecting our Constitution and our Democracy, we will act with urgency, because this President represents an imminent threat to both,” she said.“The horror of the ongoing assault on our democracy perpetrated by this President is intensified and so is the immediate need for action.” RELATED | Cuomo Calls For President Trump’s Resignation Following D.C. ViolenceWith impeachment planning intensifying, two Republican senators want Trump to resign immediately as efforts mount to prevent Trump from ever again holding elective office in the wake of deadly riots at the Capitol.House Democrats are expected to introduce articles of impeachment on Monday and vote as soon as Tuesday. The strategy would be to condemn the president’s actions swiftly but delay an impeachment trial in the Senate for 100 days. That would allow President-elect Joe Biden to focus on other priorities as soon as he is inaugurated Jan. 20.Rep. Jim Clyburn, the third-ranking House Democrat and a top Biden ally, laid out the ideas Sunday as the country came to grips with the siege at the Capitol by Trump loyalists trying to overturn the election results.“Let’s give President-elect Biden the 100 days he needs to get his agenda off and running,” Clyburn said.Pressure was mounting for Trump to leave office even before his term ended amid alarming concerns of more unrest ahead of the inauguration. The president whipped up the mob that stormed the Capitol, sent lawmakers into hiding and left five dead.Republican Sen. Pat Toomey of Pennsylvania on Sunday joined Republican Sen. Lisa Murkowski of Alaska in calling for Trump to “resign and go away as soon as possible.”“I think the president has disqualified himself from ever, certainly, serving in office again,” Toomey said. “I don’t think he is electable in any way.”Murkowski, who has long voiced her exasperation with Trump’s conduct in office, told the Anchorage Daily News on Friday that Trump simply “needs to get out.” A third Republican, Sen. Roy Blunt, of Missouri, did not go that far, but on Sunday he warned Trump to be “very careful” in his final days in office.Corporate America began to tie its reaction to the Capitol riots by tying them to campaign contributions.Blue Cross Blue Shield Association’s CEO and President Kim Keck said it will not contribute to those lawmakers — all Republicans — who supported challenges to Biden’s Electoral College win. The group “will suspend contributions to those lawmakers who voted to undermine our democracy,” Kim said.Citigroup did not single out lawmakers aligned with Trump’s effort to overturn the election, but said it would be pausing all federal political donations for the first three months of the year. Citi’s head of global government affairs, Candi Wolff, said in a Friday memo to employees, “We want you to be assured that we will not support candidates who do not respect the rule of law.”House leaders, furious after the insurrection, appear determined to act against Trump despite the short timeline.Late Saturday, Pelosi, D-Calif., convened a conference call with her leadership team and sent a letter to her colleagues reiterating that Trump must be held accountable. She told her caucus, now scattered across the country on a two-week recess, to “be prepared to return to Washington this week” but did not say outright that there would be a vote on impeachment.“It is absolutely essential that those who perpetrated the assault on our democracy be held accountable,” Pelosi wrote. “There must be a recognition that this desecration was instigated by the President.”Senate Majority Leader Sen. Mitch McConnell, R-Ky., has said an impeachment trial could not begin under the current calendar before Inauguration Day, Jan. 20.Clyburn said that Pelosi “will make the determination as when is the best time” to send articles of impeachment to the Senate if and when they are passed by the House.Another idea being considered was to have a separate vote that would prevent Trump from ever holding office again. That could potentially only need a simple majority vote of 51 senators, unlike impeachment, in which two-thirds of the 100-member Senate must support a conviction.The Senate was set to be split evenly at 50-50, but under Democratic control once Vice President-elect Kamala Harris and the two Democrats who won Georgia’s Senate runoff elections last week are sworn in. Harris would be the Senate’s tie-breaking vote.House Democrats were considering two possible packages of votes: one on setting up a commission to invoke the 25th Amendment to remove Trump from office and one on the impeachment charge of abuse of power.Rep. Jim McGovern, D-Mass., who was part of the weekend leadership call, said he expected a “week of action” in the House.While many have criticized Trump, Republicans have said that impeachment would be divisive in a time of unity.Sen. Marco Rubio, R-Fla., said that instead of coming together, Democrats want to “talk about ridiculous things like ‘Let’s impeach a president’” with just days left in office.Still, some Republicans might be supportive.Nebraska Sen. Ben Sasse said he would take a look at any articles that the House sent over. Illinois Rep. Adam Kinzinger, a frequent Trump critic, said he would “vote the right way” if the matter were put in front of him.The Democratic effort to stamp Trump’s presidential record — for the second time — with the indelible mark of impeachment had advanced rapidly since the riot.Rep. David Cicilline, D-R.I, a leader of the House effort to draft impeachment articles accusing Trump of inciting insurrection, said Sunday that his group had 200-plus co-sponsors.The articles, if passed by the House, could then be transmitted to the Senate for a trial, with senators acting as jurors to acquit or convict Trump. If convicted, Trump would be removed from office and succeeded by the vice president. It would be the first time a U.S. president had been impeached twice.Potentially complicating Pelosi’s decision about impeachment was what it meant for Biden and the beginning of his presidency. While reiterating that he had long viewed Trump as unfit for office, Biden on Friday sidestepped a question about impeachment, saying what Congress did “is for them to decide.”A violent and largely white mob of Trump supporters overpowered police, broke through security lines and windows and rampaged through the Capitol on Wednesday, forcing lawmakers to scatter as they were finalizing Biden’s victory over Trump in the Electoral College.Toomey appeared on CNN’s “State of the Union” and NBC’s “Meet the Press.” Clyburn was on “Fox News Sunday” and CNN. Kinzinger was on ABC’s “This Week,” Blunt was on CBS’ “Face the Nation” and Rubio was on Fox News Channel’s “Sunday Morning Futures.” Share:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to email this to a friend (Opens in new window),Remember when Madonna said “I thought a lot about blowing up the white house”Never forget the “peaceful protests in the summer of 2020”, Where was the National Guard this weekend….???Antifa marched through New York City doing what they do, they even attacked a female reporter for just filming it. The hypocrisy is overwhelming.What is Nancy so worried about…. He leaves in less than 10 days right, Maybe it’s the truth, her laptop got taken, wonder if it’s like Hunter’s laptop?????The capitol police let the protesters in…. opened the gates, and the doors…. inside and outside the building… There is WAY too much evidence.
View Comments The production will feature scenic design by Charlie Corcoran, lighting design by Russell Champa, costume design by Michael Krass and sound design by David Van Tieghem. Show Closed This production ended its run on Nov. 23, 2014 Mad Men star Vincent Kartheiser and Broadway vet Larry Pine (Casa Valentina) will play Billy Wilder and Raymond Chandler, respectively, in the previously announced New York premiere of Billy & Ray. Mike Bencivenga’s new play, directed by the legendary Garry Marshall, will begin previews on October 1. Opening night is set for October 20 at the Vineyard Theatre. Rounding out the cast are Sophie von Haselberg (The Cat and the Canary) as Wilder’s long-suffering secretary and Drew Gehling (Jersey Boys) as a beleaguered studio chief. Related Shows Billy & Ray Billy & Ray charts the birth of the film noir genre. The comedy follows literary odd couple writer-director Billy Wilder and novelist Raymond Chandler as they contentiously collaborate to adapt the novel Double Indemnity for the silver screen. Set in 1940s Hollywood, Billy & Ray is the true story of how two brilliant and thorny artists battled the Hollywood censors and each other to create a groundbreaking movie classic.
Ryan Silverman returns to the courtroom! The Broadway alum steps back into the role of hotshot lawyer Billy Flynn in Chicago beginning September 2. He takes over from Ivan Hernandez at the Ambassador Theatre.Silverman is back in the Tony-winning revival after first taking on the role of Billy Flynn in 2013. He last appeared on Broadway in the revival of Side Show. His additional credits include Cry-Baby and The Phantom of the Opera.The current cast of Chicago also includes Dylis Croman as Roxie Hart, Carly Hughes, who plays her last performance as Velma Kelly on September 4, Raymond Bokhour as Amos, NaTasha Yvette Williams as Matron “Mama” Morton and R. Lowe as Mary Sunshine. Rumer Willis will assume the role of Roxie from September 14 through November 15; Charlotte Kate Fox will take over beginning November 2. Star Files Related Shows View Comments Ryan Silverman Chicago from $49.50
The Pew Charitable Trusts announced the launch of the Cultural Data Project (CDP) in Vermont, giving nonprofit arts and cultural organizations state of the art technology to help them strengthen their management capacity and demonstrate their impact across Vermont. The project’a web-based data collection tool for arts and cultural organizations and their advocates’launched with funding from the Vermont Arts Council, The Vermont Community Foundation and The Kresge Foundation. ‘As cultural organizations navigate a challenging economic climate with limited resources, the CDP provides the information they need to track programmatic, operational and financial trends,’ says Neville Vakharia, CDP director. ‘Arts and cultural organizations in Vermont will be better able to understand their financial condition, improve management practices and plan for the future.’ Operated by The Pew Charitable Trusts in Philadelphia, the Cultural Data Project has emerged as a national resource for collecting and disseminating reliable, standardized data for the cultural sector. The CDP is in use by more than 11,500 nonprofits in Arizona, California, Illinois, Maryland, Massachusetts, Michigan, New York, Ohio, Pennsylvania, Rhode Island and now, Vermont. With support from national arts grantmakers including the Doris Duke Charitable Foundation and The Kresge Foundation, the CDP is on track to be operational in 22 states by 2014. Those participating in the Vermont CDP will receive free assistance from a team of on-call database specialists and financial consultants. Once participants supply the wide range of financial, programmatic and operational data, the CDP serves as a repository and financial management tool. Organizations can instantly generate information for grant applications, or create on demand 77 different analytic reports on topics such as program activity, free and paid attendance, balance sheet trends, or marketing expenses to present to their donors or boards. Organizations can also use the CDP to understand how they operate in comparison to groups of similar organizations in their community, or communities in other CDP states. ‘Understanding not just how financially healthy an organization is, but how the entire sector is doing, is just one aspect of this effort,’ says Vermont Arts Council Executive Director Alexander L. Aldrich. ‘Giving managers contextual information is critical to their planning, as is giving hard, defensible data to funders and policy-makers. Added to all this is the convenience of Vermont organizations being able to apply for funding from some of our major national foundations or creating an annual report with just a few clicks of a mouse.’ With the CDP, research and advocacy organizations can provide a clearer snapshot of arts and culture in a region, demonstrating how vital a role the sector plays. In regions where the project has been in existence for many years, the CDP has been used successfully to provide policymakers evidence of the sector’s assets and needs. For example, arts advocates in Pennsylvania used data collected from the project to defeat a proposed ‘arts tax’ that would have removed the tax exemption on ticket sales and membership revenue for nonprofit arts and cultural organizations. ‘Supporting this project is a natural fit for the Vermont Community Foundation’s goal of strengthening the state’s nonprofit sector,’ says Foundation President & CEO Stuart Comstock-Gay. ‘Having access to this data and other CDP resources will allow arts and cultural organizations to fine tune their financial management, create stronger messages about their community impact, and better understand the value of their sector.’ For more information on the Vermont Cultural Data Project, visit www.vtculturaldata.org(link is external). The Cultural Data Project, which originated in Pennsylvania, is governed by a consortium of organizations including the Greater Philadelphia Cultural Alliance, the Greater Pittsburgh Arts Council, The Heinz Endowments, the Pennsylvania Council on the Arts, The Pew Charitable Trusts and the William Penn Foundation. The Pew Charitable Trusts is driven by the power of knowledge to solve today’s most challenging problems. Pew applies a rigorous, analytical approach to improve public policy, inform the public and stimulate civic life. www.pewtrusts.org(link is external)
How do ski resorts keep the snow groomed and the lifts running?Sunday morning and it has not snowed in a week but you are up early anyway, waiting for the rope to drop. The air is brisk and the slope looks like a white, corrugated highway of perfect corduroy, begging to be shredded. Moments later you are ripping perfectly groomed slopes, arcing huge turns that leave your signature on the mountain. You pick up speed over a roller and launch for a split second, confident your landing will be gentle. Maybe you duck into the terrain park to catch some more air. The lips of the kickers are on plane and the transitions buttery; take offs and landings smooth as glass.It is an epic run, but you should have seen it yesterday.It is a peculiar phenomenon to see a ski resort on a busy Saturday afternoon, and again on Sunday morning. In no other sport is the landscape manipulated and changed like in skiing and snowboarding: every turn shifts the snow, every run modifies the slope. Snow is displaced and bumps formed from the hundreds of riders that hit a resort each day. Then, like an Etch-A-Sketch shaken by Ullr, the God of Snow, the slopes are wiped clean overnight. The moguls, slush, chunks, grooves, and ice are gone, ground into oblivion and replaced by picturesque groomed ribbons of flawlessly graded greens, blues, and black diamonds. Yesterday’s last run had been more survival than recreation, but now that same slope is the reason you love sliding on snow.This is the miracle of the modern ski resort, but how is it pulled off? What goes on behind the scenes every day, and night, to produce the quality product you ski each morning?A lot, it turns out.Powder Pushin’: Snow Cats mold a mountain from a mole-hill of snow.THE MAESTROKen Gaitor has been working his way up through the ski resort chain of command for the better part of 15 years. Following college in Vermont, the West Virginia native relocated to Utah, working lifts before finding a niche in terrain park management. Following a move back to Vermont, Gaitor pioneered the Carinthia Park Project at Mount Snow, a first-of-its-kind terrain park that spanned an entire face of the ski resort. His experiences with park management set him up well for his current position as director of ski operations at West Virginia’s Snowshoe Mountain.“Coming up through the terrain park world, you are relying on many different departments to be successful, so you learn how to communicate across department boundaries very well or you don’t succeed,” Gaitor says.Although the list of departments he oversees may seem daunting – snowmaking, grooming, terrain parks, ski patrol, lift maintenance, lift operations, and vehicle maintenance – like any good manager, he emphasizes communication as the key to things running smoothly. To this end, he spends most mornings outside cruising around the mountain checking in with the overnight groomers, then ski patrol to update slope openings and skier volume, then he takes a couple of laps for a firsthand account of snow and lift conditions. All this before the resort opens for the day.“I think if you are going to put a good product out there, you have to be [hands-on],” he said. “For me, it’s the part I enjoy so it’s easy. I’m not as good or comfortable in the office as I am outside on the slopes, so I think where I’m most valuable is out there looking around, using the years of experience I have to spot things that maybe aren’t quite as easy for others to see.”Gaitor is all about putting a good product out there, and making sure every facet of the resort is working together towards a common goal. On the surface, during the daylight hours, a ski resort can appear to be calm and laid-back but pull back the curtain and you’ll find a controlled chaos of activity, especially after the lifts stop spinning. Most of a resort’s heavy lifting happens overnight.THE SNOWMAKERThe most crucial job on any ski mountain in the East, and probably the most thankless, is that of the snowmaker. You may occasionally spot an active snow gun during the daytime, but the vast majority of snowmaking goes on during the dead of night. This underscores one of the harsh physical realities of making snow: you can only do it when the temperature is below freezing.“Without the snow, we’re going nowhere,” says Gaitor. “The way the job works – guys out there 24 hours a day, through the dark of night, in the elements, pretty dangerous job – it takes a certain character, a certain toughness, to be able to hang in there and do that.”This doesn’t stop some from getting snowmaking in their blood. Gaitor says he has guys on staff who have been making snow for over 30 years, who have found their calling on the slopes. While most cringe at the thought of being on call 24 hours a day, working through the night dragging hoses and heavy equipment up and down a mountain in freezing temps, the job does have a certain appeal.“I think [snowmakers] understand the importance of the job for one thing, and are passionate about skiing and snowboarding and want to make their personal experience better and that helps them understand what [the snow] is supposed to do,” says Gaitor. “Another big thing about snowmaking I think helps people, and I know helps me, is the instant gratification. You can fire up a snow gun on a cold night and come back an hour later and you have a big pile of snow. It’s something you can touch and feel and it’s happening fast so you can see the changes that you’re affecting.”Instant gratification is great, but getting a big pile of snow is only half the battle. The other half is getting it into shape.THE GROOMERI am riding shotgun in a snowcat as Jamie McCourt explains the nuances of his eight-ton grooming machine. The blade in front goes up and down like the front of a snowplow, pushing and cutting the snow, but the real action happens in the back. Trailing the cat’s wide double tread tracks are the tiller and the compression skirt. The tiller grinds up the uneven snow, and the compression skirt smooths it down into the familiar ribbed pattern that adorns slopes at every resort in the world. All this is controlled by a vast array of toggles, switches, and a complicated joystick that looks strikingly similar to Tom Cruise’s from Top Gun, only with more buttons. McCourt’s head is on a constant swivel, checking the tiller depth, the blade’s load, and his machine’s angles. He makes continuous minute adjustments, compensating for slope angle, speed, and snow quality.“Your tiller is designed to take from the high and add to the low, but you still have to make it pretty smooth with your blade before the tiller can do its job,” McCourt explains. “You get your wet man-made snow, your dry natural snow, your old man-made snow, new man-made snow, mix it all together, and it usually makes the best quality snow.”Groomers are experts in snow quality – McCourt says some of the best groomers come from the snowmaking department because they know the snow. Groomers work closely with the snowmakers to manage the snow on the slopes, but also to avoid getting in each other’s way: they typically occupy the same space at the same time during the night. McCourt tells stories of having to navigate around snow guns based on sound because of the whiteout they create at full operation. He has been driving a grooming machine for six winters, but insists it never gets old.“It becomes an extension of yourself over time and you never stop learning,” McCourt said. “Even the guys who have been doing it for years will tell you the same thing. It actually becomes second nature, you’re hitting all these switches and you don’t even know you’re doing it.”McCourt likes to take a few laps in the morning following his overnight shift, a well-deserved release after a night in the cockpit. A snowboarder himself, he takes great satisfaction in the product he puts out for the public each day.“It’s one of the most rewarding jobs I’ve had for sure,” McCourt said. “When you go home it feels good to know that what we did through the night turned out right.”Before piloting a groomer, McCourt was on the terrain park crew and uses that experience to his advantage. Now a park grooming specialist, he works closely with the park manager to form good lines and transitions for features like butter boxes and kickers.Every day I’m shovelin’: The park crew works hard to keep it smooth and safe.THE PARK CREWOf all the jobs on a ski hill, the terrain park crew probably gets the worst rap. You may think the park crew is a bunch of slackers who don’t take their job very seriously, but Snowshoe Terrain Park Manager Seth Boyd insists park crew is not all goggle tans, swag, and high fives. Early mornings are spent buffing lips and take offs, and days are spent raking, shoveling, and more raking, something Boyd says his 11-person crew takes pride in even if you see them riding during the day.“We try and stay out during the day, raking as much as we can. On a busy day, it can get pounded out. If we keep it crisp, if the park looks awesome, we can take a lap around and make sure everything rides well, too,” he said. “That’s in our job title: testing features.”The crew is responsible for keeping park features in safe condition for the public and this translates into a lot of planning during the off- and pre-season. During the summer, Boyd and his squad build and repair most of the hardware in-house for Snowshoe’s six terrain parks. This includes standards like rails, but also improvised features like recycling industry barrels and drums into usable obstacles. Putting the features on the mountain is far from random, it takes experience and creativity to make a terrain park a terrain park and not a random assortment of rails and jumps scattered across the slope.“We just kind of feed off each other – you know, “What do you think would look good there?” – and come to a mutual agreement between the crew,” said Boyd. “All the guys, they ride all the time and are always in the park, walking around seeing what people like to hit, what they don’t like to hit. That gives us a pretty good overview of what we think would look good there. We try to have good, flowy lines with the rails and get creative with it.”It is remarkable what can happen between closing and opening: the hill is literally transformed overnight from a skied out mess to a glassy delight. While all this hard work may go unnoticed to the casual skier, it is not lost on Gaitor even after 15 years in the game.“A lot of what’s out there in the morning when people first hit the slopes, it almost seems like the Tooth Fairy or something comes through in the middle of the night and puts the trails back together,” said Gaitor. “There is all this work that happens while people are in bed or having a drink after dinner. Knowing that people are out there working hard to build that product back for them the next day and make it even better is probably the most impressive thing to me.”So the next time you set your edge on a groomed slope, session a rail, or ski a sliver of white in a sea of brown landscape give thanks to those who put the time in during the night. It’s a tough job, but someone has to do it. •
ShareShareSharePrintMailGooglePinterestDiggRedditStumbleuponDeliciousBufferTumblr Credit union leaders from six states visited Washington, D.C. during a busy week in the Nation’s Capital, discussing credit union concerns with policymakers as the House was preparing for its historic vote on the Secure and Fair Enforcement (SAFE) Banking Act.Representatives from the Illinois Credit Union League, Minnesota Credit Union Network, New York Credit Union Association, Ohio Credit Union League, Montana Credit Union Network and West Virginia Credit Union League all visited with legislators and regulators during their visits.Emily Leite, vice president of advocacy for the Ohio Credit Union League, said these trips are impactful for credit unions, as traveling hundreds of miles to Washington, D.C. illustrates the importance of the issues in question. continue reading » CUNA Director of Advocacy Becca Durr speaks with West Virginia credit union leaders as part of their Hike the Hill activities. (WVCUL photo)
SQM Research head Louis Christopher said there was more optimism for Brisbane than Sydney and Melbourne.Three things were running in the River City’s favour, he said.“The acceleration in interstate migration from southern states to Queensland” was a key factor, he said.“That has occurred because the housing market is more fairly valued (in Brisbane) and there is a standard of living gain moving south to north”.As well, he said, the “Brisbane economy is picking up again so job creation has been improving and just as well because I think one of the barriers moving (from the) south to Queensland has been, up to recently, because of the soft job market.”“The mining downturn has been over for a solid 18 months so it’s meant that the move has been less riskier for people to do because they have been able to find work making the move.”Mr Christopher said even better was that housing construction had peaked in Brisbane.“This is good on the supply front. I think the worst is behind us. We still have an oversupply scenario but it’s not likely to get worse from here. Given the increase in interstate migration, (supply) will now wind down as the year progresses.” *[email protected] Brisbane’s ‘fairer’ property prices had sparked migration from southern capitals. Picture: AAP/Ric Frearson.A WORKING class suburb in Brisbane has beaten the bluechips to pull off the highest growth the state has seen in the past decade.Underwood in Brisbane’s south has seen a massive 65.6 per cent rise in median house prices between May 2008 and May this year, according to latest figures by property data experts CoreLogic.It comes as a prominent Sydney property expert declares there is now more optimism for Brisbane than Sydney and Melbourne thanks to the city weathering the unit glut, interstate migration, a fairly valued market and the economy picking up again. None of the usual bluechips were on the top 10 list which saw Ashgrove come in second (53.4 per cent) followed by Sunnybank (50.7 per cent) which rode a wave of Asian buyer interest in recent years.SQM Research head Louis Christopher said there was growing evidence that Brisbane had coped better than Sydney and Melbourne with recent housing market woes, prompting fresh optimism.Brisbane listings figures out yesterday showed the city rose the highest of all the capital cities last month, but unlike Sydney and Melbourne where the effect of a rise in listings was a drop in asking prices, in the River City prices rose almost in defiance. Brisbane leads surge in listings as rates hold Record Brisbane block sold for ‘Sydney price’ That, according to Mr Christopher, showed the worst was over for Brisbane, with the city proving it had coped with the oversupply.“We’re a little more optimistic on Brisbane than Sydney and Melbourne right now,” he told The Courier-Mail. The comments come as the Reserve Bank yesterday decided to keep its cash rate target on hold at the record low of 1.5 per cent, with no sign that it is likely to move any time this year or even most of next year.“Generally speaking when you see a big rise in listings, it’s not a good sign as absorption rates are falling like in Sydney and Melbourne, but Brisbane is coming from the perspective that it had its downturn,” Mr Christopher said.More from newsParks and wildlife the new lust-haves post coronavirus17 hours agoNoosa’s best beachfront penthouse is about to hit the market17 hours ago“I think Brisbane is coping better than Melbourne and Sydney right now. I don’t believe prices for freestanding houses are falling in Brisbane like they are in Sydney and Melbourne … Potentially the worst is over for Brisbane.”
Jose Reina admits he is flattered to be linked with a return to former club Barcelona but has again insisted he is happy at Liverpool, with whom he is under contract until 2016. Reina is one of the names being touted as a possible replacement for long-serving Barca goalkeeper Victor Valdes, who has told the Catalan giants he intends to leave the club and could sever ties this summer. The 31-year-old Reina, who came up through the youth ranks at Barca before joining Villarreal over a decade ago, said of the speculation: “I have three more years with Liverpool. I’m satisfied, comfortable and my family are very happy. Rumours are difficult to control but it’s flattering when a club like Barca are interested in you.” Press Association The Spain international added to radio station Cadena Ser: “I don’t know if there has been contact between the clubs or with my agent. At the moment I don’t think there’s anything serious.” Reina hopes to finish his career back in his homeland, but the Reds keeper added: “I don’t know how long I’ve got left in football, what I do know is I want to enjoy what remains and feel appreciated and at Liverpool I have that.” Reina, son of former Barca goalkeeper Miguel Reina, played several first-team matches while still a teenager at Barca but left the club in 2002 without winning any major silverware. In the last half-a-dozen years Barca have emerged as the dominant force in both Spain and Europe, winning trophy after trophy, but Reina is not dwelling on what might have been. “The years I was in Barcelona were very good, I don’t have any bad feelings about not succeeding there. I played more than 50 games, when I was less than 20, it helped me grow a lot,” he said. “I would’ve liked to have played there more, of course, but there’s no need to over-dramatise things.”